Showing posts with label Science. Show all posts
Showing posts with label Science. Show all posts

Wednesday, March 25, 2020

MEGALODON

 
His name is Big Tooth.
He was bigger than a bus.
His senses were keen.

His jaws were mighty.
His sharp teeth were enormous.
Big whales were his prey. 

No creature was safe
From this powerful monster.
He ruled the old seas.

But now he is gone.
And teeth are all that remain
Of this mighty fish.  

--------------------------------------------------------------------------------------------------------------------------------
The photo is a still from the BBC's Chased By Sea Monsters trilogy.

Tuesday, March 10, 2020

Gagarin Mourns For Komarov

Why did this happen?
The Soyuz was not ready.
It had many flaws.

I begged them to stop,
To allow for more testing.
They would not hear me.

You flew to your death 
In a rocket ill-designed,
Because of their haste.


Friday, March 6, 2020

Bondarenko

           I wanted to fly
           But I did not get the chance.
           I died in a blaze.

           Some people believe
           If my death was made public,
           Three men might still live.
           

Tuesday, March 3, 2020

Haiku Time

No more leaving this thing sitting for months on end. 


Dr. Boli spent last month doing Haiku. I figure I might give it shot. I will keep this about music, but will add other things to keep my creativity alive. I started my Space Race binge again, so here are two about the Nedelin Catastrophe:

 
                       Khruschev says to launch
                       The rocket filled with venom.
                       Ninety plus are dead.
                    
                       No rockets will fly
                       On that day forevermore
                       To respect the dead.

 I will write another one tomorrow.











Wednesday, January 9, 2019

THE MEG Can't Tell A Story Worth Beans





This film cannot make up its mind what it wants to be.  Is it a black comedy, is it a thriller, is it a horror movie, what in blazes is it? 

The plot is as follows: Scientists working at a remote research facility off the coast of China discover an unknown region below a gas cloud at a depth below that of the Mariana Trench, and soon get attacked by a mysterious creature Miocene and Pliocene Epochs.  Disgraced diver Jonas Taylor (Statham) comes out of hiding and goes down to rescue the team and finds out that the creature is Megalodon, a giant predatory shark that lived between 23 to 2.6 million years ago and died out before the last Ice Age.  Spoiler Alert, the shark begins attacking and eating people and racks up a fairly sizable body count before it is finally defeated.  

Now I have to give credit where it is due, the shark is shown at closer to its natural size than other films have done in the past (see here for more on that topic).  Even when one appears that's seventy five feet long rather than sixty, it still looks more natural and less like a photo-shopped Great White. The So-Bad-It's-Good movie Shark Attack 3: Megalodon had it so huge that it could swallow a good-sized life raft in one go.  Here, it's just large enough to tangle with a giant squid. 
   The fights with the shark itself are pretty thrilling and awesome--in a stupid kind of way.  The climatic scene, for example, features Taylor chasing the shark through through rocky tunnels before stabbing it in the eye.  That was very well done.  And it was unnerving seeing a diver in a shark cage get stuck in the animal's maw (yeesh!).  The humor is also good at times, with the best moments being references to Shark Week. 
        
However, that's where my praise for this movie ends.  The movie's problems are as follows: The humor may be good, but the shark kills unintentionally fall into this category, being treated as a punchline rather than horrifying.  This is not helped by the fact that the film glosses the deaths over for the most part. 
        Making things worse is the surprising lack of gore.  This may seem strange coming from  someone who doesn't like gratuitous amounts of blood and guts in a movie, but I found that to be a disappointment.   I enjoyed Jaws despite all the blood and guts, but then again there's bound to be blood whenever a shark attacks someone.  Apparently it was originally planned to be an R-rated bloodbath of a movie, but there was some major executive meddling and it got demoted to PG-13.  If they had stuck with the original idea, I think they would have had something truly terrifying.  
       The Meg's biggest problem is the characters.  They are a huge part of the reason the movie seems to be unable to make up its mind about what it is.  With the possible exception of Statham, most of the actors don't seem to know what they're supposed to be doing exactly, and just walk around with wide-eyed expressions of confused nervousness.  But the worst offenders are Jonas ex-wife Lori (Jessica McNamee) and his girlfriend Suyin (Li Binging)  Lori has little to no facial expressions beyond Stone-Faced Zombie and Stepford Wife Smiling even when she takes a screwdriver to midriff; and Suyin goes around looking like she's scared of everything.
       And Neither Lori nor Suyin had any depth at all.  This movie is based off of a novel, and in the novel Jonas' ex-wife is a power-mad woman seeking publicity.  In the film, she's blandly amiable.  There's mention that Jonas and Lori were bad couple, but hwy is never explained.  The writers wasted a perfectly good opportunity for some good drama.  
       I saw this film with my boyfriend and he wanted Suyin to just die, for which I do not blame him.  Suyin is the worst love interest I have ever seen in a story.  There's no chemistry between her or Jonas; their love scenes are little more than shy glances with no real emotion behind them.  She's a terrible mother as well.  She lets her daughter Meiying (Sophie Cai) have free run of the research station, and doesn't seem to discipline her when she should (do you really want your eight-year-old to be saying the word "a-hole"?).  And she's just plain dumb, trying to shark dive with the Megalodon, in a cylindrical cage.  Sorry, but Nigel Marven's design was better. 

Overall rating: 4 1/2 out 10.  Fun action, bad characters.  Goofy humor, sloppy story. 

Monday, May 8, 2017

Addendum on Documentaries Post

As I've been binging on the Space Race (and right in the middle of finishing a Titanic/Eastland project no less!), I have made a couple of further observations about documentaries.  I did not mention these in my main post on the topic and so I will speak of them here.  

The first thing I talked about was listening to how writers use the language in the documentary.  A good writer will be precise in his language and back up his assertions with facts. 
    Sometimes you will get a piece about something in history or science that isn't very well-known.  This is to be expected as history and science are always on the move.  But beware of titles that say "The Untold Story", "The True/Real Story", "The Forgotten Story", or anything like that.  Titles like these sound dramatic and may get the viewer interested, but they make an assertion that may or may not be true.  
        I have read and reread a book called The Sinking of the EASTLAND: America's Forgotten Tragedy.  This is one of the few cases in which the "forgotten" label is justified.  The capsizing has become largely obscure despite happening right in the middle of the Chicago Harbor.  So when the book says that it's a forgotten tragedy, I can believe it.  
        Last week I saw a documentary called "Apollo 13: The Real Story".  How are the makers sure that it's the "real story"?  Most people in the U.S. know about the incident and so to try to claim that there is a real story is foolish at best. 

Which brings me to my second point.  Take note of the documentary's tone.  Every now and then you will get a documentary written by someone with an axe to grind be it political, social, or whatever.  When that happens you sometimes get conspiracy theories.  And conspiracy theories will be heavy handed and unpleasant.  Last week I tried watching a documentary called Secret Space: The Soyuz 1 Coverup.  I wanted to know about the Soyuz 1 disaster that killed Russian cosmonaut Vladimir Komarov.  The documentary indulged in the Ilyushin myth and even claimed that Yuri Gagarin's death in a plane crash was engineered by Brezhnev.  And the narration throughout the documentary was harsh and unsubtle.  
     It is true that the Soviet government tried to cover up a lot of things.  But the conspiracy theories and overall harsh tone of the documentary made it unwatchable.  

I like documentaries that are objective with their language.  If you want to say that something is the "Untold/Real/Forgotten Story" or whatever, you have to be able to back up your assertion.  While something may be genuinely obscure like in the case of the Eastland, others may seem obscure but turn out to be little more than fringe activities that had been part of an ongoing issue.  Or it may turn out be a conspiracy theory, which means someone is telling a lie.  Use language precisely.  

Tuesday, May 2, 2017

What?

Can someone please explain why a very good documentary on the Soviet Space Program is produced by a company with the name UFOTV? 

Monday, February 13, 2017

How To Tell A Good Documentary From A Bad One

We've all seen documentaries at some point or another.  They are all over movies, television, and the internet, and they cover everything from dinosaurs to Operation Desert Storm.  Some are less than half and hour in length while others can go on for two hours.  And often they are part of a long series with a particular theme, like disasters, mummies, scandals, etc..  I have watched numerous documentaries over the course of twenty three years and have recently started to learn how to tell the difference between a good documentary and a bad one.  Now this can be tricky, so the way to vet your sources is to actively research the topic on your own.

How can you tell a good documentary from a bad one?  Well, here are a few things to look for.
     
1) How is the language being used?  Are the people being precise?  Are they repeating themselves?  Are they going out their way to be dramatic?  Being precise is very important because you want the audience to understand what you are saying.  No one is going to understand you if you are being vague and unclear with what you are trying to get across.  And persistent repetition is a sure sign that you are just trying to fill in the spaces and hoping that if you repeat yourself over and over again, people will believe what you are saying.  It is very tempting to be dramatic in order to hold the audience's attention, but many of these topics are dramatic already, so trying to make them even more so is Coals to Newcastle. 

2) How are the makers supporting their claims?  What evidence are they using to back up their arguments?  And are they exploring other possibilities in case they are wrong?  Sometimes the evidence being examined is good, but sometimes it is less than insufficient.     
       For example, a story that sounds juicy might have some good insight into a situation, but then again it could be the exception rather than the rule.  You may decide you want to use it to support your claim, but the use of juicy stories when doing documentaries is dubious at best and dishonest at worst.  And there may be other possible reasons for something, so give some time to those possibilities as well.  Biased sampling tends to skew results.
        
3) How is the documentary presented?  Be mindful of the use of visuals.  There are two ways to do this.  One is to use either Live Actors or CGI, the other is to use pictures, artifacts, and location shots.  Let's look at these two methods.
          Using live actors and/or Computer Generated Imagery isn't a bad thing in and of itself, but it is all too easy for them to upstage everything else.  A good director knows how to use live actors and CGI to illustrate the point and not overpower the audience's retinas. 
        Live actors have been used in documentaries for years.  There are some advantages to this.  Being able to present a historical event with real people acting out the parts can make history look more alive and real.  And it means that someone can get into another person's mind in order to try to understand them.  However, one problem with this method is that the audience just sees one person's interpretation of a historical person, and so that's the one that sticks with them, which could skew someone's perception of history.  Also, people tend to cast actors whose are photogenic, so the audience may not realize that King Tutankhamen was actually club-footed and had an overbite.  

       CGI has its uses as well.  Aside from bringing dinosaurs, mammoths, and other prehistoric creatures back to life, it has been used in live-action documentaries when working with such things historic volcanic eruptions and major battles.  It can digitally restore ruined buildings and illustrate the incredible world of microorganisms.  All in all, CGI has been a great tool for demonstration in documentaries.  That being said, CGI has to be used very carefully.  Spectacular special effects can distract very easily from the main point, resulting in a visual feast that doesn't really serve any purpose.  
  
The second option involves panning the camera over photographs, paintings, statues, etc. if live footage cannot be used*.  Often music and sound effects will be used to help evoke particular scene. This particular style is known as the Ken Burns effect, named after a filmmaker who made much use of this technique is his documentaries.  
    The advantages to using static images is that is much less expensive than hiring actors and spending money on complex animation programs.  You can evoke the scene just by panning over a lithograph of the Battle of Antietam and adding in prerecording sound effects of gunshots and cannon fire.  And it also means that typically you'll be looking at a picture from that era rather than animation where you'd just be making up the scene.  
    The disadvantages of just panning over static images is that it doesn't represent fully what you're trying to accomplish.  A painting of Colonel Chamberlain's Charge at Little Round Top may look lifelike, but it cannot accomplish the same thing that a group of Civil War reenactors can.  And unlike photographs which are taken with cameras at the scene, paintings, lithographs, and engravings are more likely to be stylized, and thus not fully representative of the event.  

 4) What sources are being used?  This is absolutely critical.  People who are active in science, history, etc., will know the ins and outs of the subject matter.  They will ask questions and seek the answers to them, and usually they will find them even if it isn't the answer they may have originally had in mind.  For example, an archeologist trying to understand how the people of Herculaneum lived before the 79 A.D. eruption of Mt. Vesuvius might examine the contents of the sewer in order to ascertain the diet of the average person.  Further information can be obtained be chemical analysis of the bones found in the boathouses.  And the resulting information gives not just the archeologist but the audience watching the documentary a new insight into the lives of a group of people who lived 2,000 years ago.   
      The danger in this case is putting the emphasis on speculation and mystery.  While mystery may be part of the appeal of dinosaurs, most of us actually want to solve the mystery and see how these creatures really lived.  As C.S. Lewis once said, "Inquiry was made for truth,".  And we ask questions because we want to know the answers even if we cannot fully know them because the dinosaurs all died 65 million years before humans came along.  If the people making the documentary go out of their way to be all about speculation without any real answers, then they have not done anything to benefit the audience. 
       And then there are speculative documentaries about things like aliens, ghosts, and that sort of claptrap.  Neither of those things are real and while it's fun to write all sorts of amazing stories about them, it's a waste of time trying to figure out if they even exist.  So don't even bother with that sort of thing.   

I myself do not claim to be an expert on history and science, but I do love learning about both, and I want to know that when I'm watching a documentary that the people who made tried to teach me something.  I once had to sit through a very biased documentary on the American Justice System, and I tried to watch one that spent ten minutes saying how bad the devastation of Carthage was.  I like documentaries that teach me something new as the one on Life and Death in Herculaneum did.  

Of course even the best documentaries cannot compare with books. 


___________________________________________________________________________________
*Thank you Wikipedia.  

Updated 3-6-17 at 6:14 pm.